I was born in 1976 and outside of “Blaxploitation” movies, there were no African American action or science fiction stars. My favorite movies included “Tron,” “Superman,” “The Last Star Fighter,” and “Dune.” The heroes in those movies had super powers, super intelligence, and had to dig deep to overcome extra-ordinarily difficult situations, often at great personal cost. It is worth noting here that the stars of these movies were all Caucasian males, and none of them looked like me. Hell, in most of the movies with a futuristic theme there was not even a Black person cast as an extra! As if, as Richard Pryor so eloquently put it, white people were not expecting us to be in the future.
It is no secret that many action, fantasy and science fiction movies contain ancient magical and mythological elements incorporated into the fabric of their stories; to see titans, gods, goddesses and fairies as characters in modern day cinema is a fairly commonplace occurrence – with one caveat, these characters almost phim sex never appear in movies written or directed by Blacks, or with an all Black cast.
When it comes to Black cinema we have few choices for our movie going pleasure. We have comedies, action comedies, the all important “Jesus Will Fix It” film and “Hot Ghetto Mess Drama,” (usually not the good kind), and last but not least is the “Catharsis Drama” – movies about profound suffering and abuse and how the characters where able to somehow carry on after being both victimized and traumatized. Few Black writers explore the realm of science fiction, fantasy, or create movies with a magical or mythological theme.
To add levels of depth and subtle complexity to their stories, adept writers and directors are able to use the archetypical and symbolic elements of the heroes and heroines of ancient mythological stories and folk and fairy tales. Many times these elements are used so skillfully as to be hardly recognized by the majority of the movie going public, but to the trained eye, these elements are obvious.
It takes study of classical literature, world mythology and symbology in order to use the above mentioned story elements with any level of effectiveness. Study that many burgeoning African American film makers seem all too willing to ignore in their movie making process, as these elements are often sorely lacking in the plots and storylines of the majority of Black cinema.